Month: August 2024

‘She was excluded It’s not ok’: Mia Le Roux strongly defends Chidimma against trolls
n a powerful display of solidarity, newly crowned Miss South Africa 2024, Mia Le Roux, has come forward to defend her former colleague, Chidimma Adetshina, who was recently embroiled in controversy surrounding her eligibility to compete in the prestigious pageant. The situation took a dramatic turn just days before the finale when Chidimma, who has a Nigerian father and a Mozambican mother, withdrew from the competition amid concerns over her nationality raised by the Department of Home Affairs.

 

 

 

 
The Minister of Home Affairs, Leon Schreiber, released “prima facie” evidence suggesting that Chidimma’s mother may have committed fraud and identity theft at the time of her birth registration, leading to significant public scrutiny and backlash. Targeted by criticism from social media and even some politicians, the young model cited fears for her safety and well-being as reasons for her withdrawal.

In a heartfelt interview with Newzroom Afrika, Mia Le Roux expressed her strong support for Chidimma, stating unequivocally that her colleague “deserved” a place in the Miss South Africa pageant. “It was extremely hard for us because each one of us personally knows and loves Chichi. We truly believe that she did not deserve it, as we know she’s phenomenal, powerful, and beautiful in her own right,” Mia affirmed. Her comments reflect a genuine understanding of the personal toll that public backlash can exert on individuals, especially when it is rooted in issues as sensitive as identity and nationality.

Mia emphasized her belief in unity and inclusion, stating, “I stand for unity. I do not stand for people being divided. So, I do think we can do better in that aspect to support and include one another.” Her words resonate with a broader societal need for acceptance and togetherness, encouraging individuals to uplift and embrace diversity rather than exclude others based on their backgrounds.

Following Mia’s crowning, Chidimma sent her congratulations via an Instagram Story, expressing her pride in Mia’s achievements and the importance of representation. “You represent us all. To make the excluded be included,” Chidimma wrote, extending her best wishes for Mia’s reign as Miss SA. This exchange highlights the spirit of camaraderie that exists among participants, emphasizing that the pageantry extends beyond mere competition; it is about connection, empowerment, and changing narratives.

Mia Le Roux, who identifies as a deaf woman, also shared her commitment to advocating for differently abled individuals, stating, “I know what it feels like to be excluded. I know now that I was put on this planet to break boundaries, and I did it tonight.” Her mission statement showcases a determination to raise awareness and foster inclusivity for all individuals, regardless of their abilities.

South African actor Carlo Radebe, best known for his portrayal of Duke Ngcobo on the popular television series Backstage, has sparked a heated debate on social media after appealing to the public for financial assistance once again. His latest plea, posted on August 12, has left many South Africans divided, with some expressing empathy for his predicament while others encourage him to seek a more traditional means of employment.

Radebe, who claims to have been unemployed for several years, took to his Facebook account to share his ongoing struggles. In his emotional post, he stated, “Kindly putting my hand on your heart. To boost me one more time with any donation to my account in order for me to survive my 11th hour at the gate. Have run out of your kind donations I received in April for only four days.” He detailed how the funds he previously received had run dry after a promised job opportunity fell through, leaving him in a precarious financial situation.

 

 

 
The actor’s disclosure is not new to the public; he made headlines back in April when he described his desperate circumstances and the challenges of making ends meet. In his latest update, Radebe mentioned feeling “stranded and broke since the beginning of June,” emphasizing his desire to find work and continue pursuing his acting career.His appeal stirred a range of responses on social media. While some users displayed empathy for Radebe’s financial difficulties, many others criticized him for relying on public donations instead of seeking employment in other fields. Comments from users highlighted the realities of the job market for individuals who may not have a consistent income stream. For instance, @Dules_k76 questioned why Radebe couldn’t take on a job at a retail store or drive a taxi, and @iamnel__ noted that “McDonald’s is always hiring,” suggesting he explore government financial aid programs like the R350 social relief grant that many South Africans have accessed.

Some users went further, proposing alternative job pathways or encouraging skill development. @Loreta1212 suggested Radebe should learn new skills, such as cellphone repair, to create a more sustainable source of income. These comments reflect a broader sentiment in some segments of society: the belief that individuals should actively seek traditional employment, even in less glamorous roles, to support themselves rather than relying on public goodwill.

The discourse surrounding Radebe’s predicament taps into wider social issues in South Africa, particularly concerning unemployment and the challenges faced by artists in a changing entertainment landscape. While many can empathize with the plight of actors during difficult economic times, the push for self-sufficiency and resilience is strong within society.

As Carlo Radebe continues to navigate his circumstances, the broader conversation remains—should public figures rely on their fans for financial support, or is it essential to pursue regular employment to maintain dignity and self-reliance? Regardless of the opinions expressed, Radebe’s situation serves as a poignant reminder of the difficulties faced by many in the performing arts and the realities of unemployment in today’s society.

Former Backstage leading actor Carlo Radebe, renowned for his compelling portrayal of Duke Ngcobo in the early 2000s e.tv series, is currently facing significant hardships. His journey in the entertainment industry also includes work in notable productions like iNumber Number and How To Steal 2-Million. However, recent events have highlighted the precarious situation he now finds himself in, TimesLIVE reported.

In April of this year, it emerged that Radebe was allegedly struggling financially, a situation that prompted him to reach out to his fans for assistance. On Monday, Radebe took to his Facebook page, sharing a heartfelt message to his supporters. In his post, he expressed optimism about the future while articulating the desperation of his present circumstances. “Happy Monday to you all. Spring is in the air. Letting you know as my fans that I am still holding onto my game with dogged determination, waiting for the dam to burst and for work to start rolling my way before the year is over,” he wrot

 

 

 

Radebe’s situation has been challenging; he indicated that he has been out of work for nearly three years. His plea for help is not just a call for financial support but also a reflection of the emotional toll that such uncertainty has taken on him. “I have run out of your kind donations I received in April for only four days,” he explained, revealing that he had briefly received assistance which quickly fell through after promises of job opportunities and housing never materialized.Since June, Radebe has been left to “fend for himself,” as he navigates a landscape where the anticipated work has yet to come to fruition. In a poignant moment, he writes, “Inthliziyo yami ibuhlungu kabi ngoku hlukumezwa nge themba elingekho namanga alihlaza” (My heart is deeply pained, being tortured by false hopes and green lies). The emotional weight of this situation is palpable, underlining the vulnerability that many artists face when the work they depend on is uncertain.

Radebe’s message is a direct appeal—he asks Mzansi, the South African public, to lend a helping hand. His humble request included his banking details for anyone who might wish to support him financially. He emphasized the importance of safety and stability as he seeks to regain his footing in the industry.

Despite the challenges he faces, Radebe remains hopeful and determined. “I am bubbling to get back to my craft. I have been sieved and well-baked for a smorgasbord of a meal,” he said, shedding light on his passion for acting and his eagerness to return to the screen. His story serves as a reminder of the unpredictable nature of the entertainment industry and the human stories that lie behind the curtain.

As we reflect on Radebe’s situation, it’s crucial to consider the broader context of support within the arts community. Artists often face financial instability, and acts of solidarity from fans and fellow creatives can make a significant difference in their lives. The entertainment industry thrives on community, and now more than ever, those who have enjoyed Radebe’s work can extend their goodwill during this challenging chapter of his life.

A fan has gifted Olympic gold medallist Tatjana Smith R100 in an endearing moment captured on camera following her return to South Africa on Tuesday, 13 August.

The 27-year-old was given a hero’s welcome at OR Tambo, which included being greeted by Minister of Sports, Art and Culture, Gayton McKenzie.

 

 

This following her successful stint at the 2024 Paris Olympics.

FAN GIVES TATJANA SMITH ‘R100 FOR CHOCOLATE’
In the clip, posted by IOL Sport, Tatjana Smith poses with her gold medal for a picture with an older female fan. The woman then gifts the Olympic swimmer R100.

“Buy chocolate for you. I love you. You are beautiful. I wish I could give you more,” the unidentified woman says to the star athlete.

Giggling, Tatjana graciously accepted the monetary gift.

Take a look…The swimmer said in a media conference, thanking her supporters, “It’s really humbling, and I’m so grateful.”

Tatjana Smith
Tatjana Smith received a warm welcome after returning to South Africa. Image: X
HOW MUCH DID SHE EARN AT THE OLYMPICS?
According to Jacaranda FM, Tatjana Smith bagged R400 000 for winning an Olympic gold medal in the 100m breaststroke and R200 000 for earning a silver medal in the 200m breaststroke.

This monetary incentives are provided by the South African Sports Confederation and Olympic Committee (Sascoc).

Additionally, Minister of Sport Gayton McKenzie also promised a “big surprise” for Olympic medallists.

“There is a special surprise from my ministry. I can’t divulge it now because it won’t be a surprise,” he told SABC Sport.

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A post shared by SABC Sport (@sabcsport)

HOW MUCH WILL GAYTON GIFT TATJANA?
Let us know by clicking on the comment tab below this article or by emailing [email protected] or sending a WhatsApp to 060 011 021 1. You can also follow @TheSAnews on X and The South African on Facebook for the latest news.

In a recent and impassioned social media address, South African actress and television personality Manaka Ranaka voiced her concerns over a trend that has become increasingly prevalent – South African women marrying foreign nationals for financial gain. Speaking directly to her audience in Zulu, she did not hold back, stating, “There’s something we need to discuss, our South African sisters are selling off the country. I just want to know why y’all are shamelessly selling off the country?”

 

 

 

 

Manaka Ranaka, a highly respected figure in South Africa’s entertainment industry, highlighted what she perceives as a troubling reality. She asserted that some women are entering into marriages for monetary compensation rather than love or genuine connection. This trend, according to her, involves arrangements where women marry foreign men in exchange for as little as R1000 or even R400 to facilitate the men’s acquisition of South African citizenship.

Her emphatic message has resonated with many, igniting conversations around the sanctity of marriage and the motivations behind these unions. In a society where love and commitment are traditionally seen as the foundation of marital bonds, Ranaka’s assertion challenges the integrity of these relationships when financial incentives become the driving force.Critics of this trend argue that such marriages not only undermine the values of love and commitment but can also lead to broader societal issues. Concerns have been raised about potential immigration complications, exploitation, and the negative effects on South Africa’s resources and social fabric. By commodifying marriage, there is a real risk of contributing to a cycle of misuse and abuse of the system, where individuals may prioritize personal gain over community and national welfare.

Responses to Ranaka’s video have flooded social media, with many echoing her sentiments. Supporters argue that marriage should be a sacred bond built on mutual respect and love, rather than a transactional arrangement aimed at gaining citizenship. This response illustrates a significant cultural conversation in South Africa, where perspectives on immigration, identity, and the values underpinning marriage continue to evolve.

As the world becomes more interconnected, discussions about marriage and nationality will likely remain complex and multi-faceted. Ranaka’s passionate message not only sheds light on a specific issue but also invites broader examinations of how personal choices impact collective societal values.